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The MPC Live is the kind of thing you can throw in your bag and take anywhere, but it lacks some features of the MPC X. However, it’s not the kind of thing you throw in your bag and take around with you in case you suddenly feel inspired. The MPC X isn’t too much hassle to carry to a gig it is lighter than most gear musicians are used to carrying. A portable packageĭespite being the cheapest of the standalone MPC units, it bridges the gap somewhat between the MPC X and Live. It offers things that previously only the flagship MPC X offered, so the decision between Live and One isn’t purely financial. The MPC X is a production powerhouse, and the MPC Live has been a massive hit in the studio and on the stage, so where does the MPC One fit into the mix? The simple answer is that it’s a cheaper alternative to the MPC Live, but it goes far beyond that. The 7-inch touchscreen is vital in terms of maintaining the same speedy workflow as the MPC Live, and something that Akai didn’t want to sacrifice.Īlong with the touch screen, the MPC One has four Q-Link knobs, dedicated function buttons, 2 GB RAM, 4 GB of storage (2 GB of onboard content, and 2 GB of user memory), and CV/Gate connectivity. One of the main reasons that Akai decided to go with smaller pads was to accommodate the full-size 7-inch multi-touch screen. The MPC One has the full 16 pads, but they are slightly smaller than usual to suit its smaller size. We never talk about an MPC without mentioning how good the pads feel, and it’s the same this time, albeit with one noticeable difference. Akai has taken only the essential features from the MPC X and Live to create this compact music production center. The bad news is that while it’s more budget-friendly, it understandably comes with some restrictions. The obvious upside is that it’s significantly less expensive than Akai’s other most portable standalone model, the MPC Live. OverviewĬoming in under $700, the MPC One is the cheapest of the standalone MPC units, which brings some good news and some bad. With the MPC X and Live being so successful, is this hybrid of the two necessary? Is it worth it? Let’s find out. The latest addition, the MPC One, is said to be an entry-level unit with advanced features beyond its price point. Recent years have seen Akai go back to their roots, focusing on standalone models like the MPC X and MPC Live, much to the delight of producers everywhere.

Despite securing legendary status over the decades, not every new addition to the MPC family has been met with universal acclaim. When you purchase through links in our articles, we may earn an affiliate commission.Īkai’s MPC, in its numerous forms, is arguably one of the most iconic pieces of music production equipment we have seen since being introduced in 1988.

Consordinis articles are written by musicians who independently research, test, and recommend the best instruments and products.